Are Critique Partners Necessary?

Cynthia Herron Uncategorized 6 Comments

Many years ago, I was a member of a fledgling writer’s group.

In this group were writers of various ages and professional backgrounds. Some were stay-at-home moms. Others were teachers, nurses, social workers, and office managers. We also had a company president or two and a smattering of business owners. Some were published authors.

While we were all at different stages in our writing careers, we shared a common interest and a mutual goal: our love for the creative arts and the desire to grow in our craft.

Our monthly meetings were a great time of fellowship, learning, and sharing. It was a “safe” environment where we could let our hair down and talk about our works-in-progress (WIPs), grammatical/plot issues, industry changes, and anything else related to the writing craft.

As our group began to grow in number, new friendships were formed. Some of us “clicked” with those who would become our critique partners.

In fact, that’s how I found my first critique partner. Though she eventually moved out of the area and away from writing, the time we spent working together was priceless. My writing improved and it stretched me in ways that I wouldn’t have been otherwise.

There are, of course, some authors who prefer to go it entirely alone; I just don’t know of that many. The creative process is challenging enough without wondering if our stories are connecting. Even seasoned, well-known authors use critique partners to peruse their initial drafts.

Does the plot make sense? Are our characters realistic? Are there any time discrepancies? And for Heaven’s sake, what about grammatical issues?

These are things that fellow writers (and critique partners) can spot easier than we can. When we’ve looked at our own work a thousand times we’re no longer objective, and often, we’re too bleary-eyed from the process to completely care. Well, we care, but the truth is we may tire of our own words. (There. I said it!) And too, we may recognize there are holes and issues within our stories, but we just don’t know how to fix them.

That’s where our awesome, stupendous critique partners come in. It may take some time to gel with the right folks, but eventually (through divine appointment, I believe) God will raise up those unique individuals. The ones who will become our coaches, our cheerleaders, our mentors, our friends.

 

Now that we’ve established why critique partners are necessary, what criteria should we look for in those connections?

 

  • Are they like-minded believers? Are they Christians? Doctrinal issues aside, for me, since I write Christian fiction, that’s non-negotiable. It’s a personal conviction.

 

  • Do we write in similar genres? I write contemporary Christian romance novels. Our critique partners may write in different sub-genres, but underneath the Christian fiction umbrella. They’re aware of the vast differences between CBA and ABA guidelines.

 

  • Are they well-read? Our mentors might write to a specific audience, but they enjoy reading a variety of stories. In other words, they’re experienced readers.

 

  • Do our personalities mesh? I’m a see-the-glass-half-full, Pollyanna kind of gal. I love to laugh and have fun. I’m an encourager. I’m candid (but tactful), down-to-earth, and unpretentious. I recognize I’m not perfect. While our critique partners may have their own unique and special traits, it’s important we share some similar life philosophies.

 

  • Are they aware of the changing market? Do they stay abreast of industry news? This is a must because as times change, so does life in the publishing world. Our crit partners help us discern what changes might affect our work and what could influence agents/editors decisions regarding it. They understand the importance of staying on top of market demands because they’re writers, too.

 

  • Will it be a mutually beneficial relationship? While friendship is often a prerequisite, our relationship with our critique partners should be a give-and-take scenario. In the ideal partnership, strengths and weaknesses are addressed, shared, and dealt with professionally (and lovingly!)

 

  • Do we feel safe? Do our partners understand the importance of trust and confidentiality?  The best working relationships are fueled by those two factors.

 

On Wednesday, I’ll talk about the various ways our critique partners are gifted. Stay tuned!

******

What additional criteria would you add to the list above?

June Blog Winner:

 

I’m excited to announce the winner of my June blog drawing! The winner is Tonya Ashley. Congratulations, Tonya! You’ve just won a $15 Starbucks gift card, a $15 Bath & Body Works gift card, and some other nifty treats. Please contact me with your mailing addy.

My next blog giveaway will be at the end of July. To recap here are the rules and how to enter:

*You may still comment as many times as you like per post, of course, but your name will only be counted once per post.

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*Blog commenters’/subscribers’ e-mail addresses will not be sold, bartered, spammed, or given away. Unless…it’s for really, really good chocolate. *Kidding!*

Blog prizes/treats will include, but not be limited to: gift cards such as Barnes and Noble, Amazon.com, restaurants, etc., books by our fave authors, gift and goodie baskets, and anything else my creative mind can come up with.

 

*Now, in accordance with the FTC guidelines, here are some RULES I must tell you about:

 

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Blessings Always,

Comments 6

  1. Jessica R. Patch

    These are great things to look at, Cindy! I also think great cps can figure out your voice and stray from trying to actually change your writing style, but help to tighten and make it better!

    I once had someone try to restructure and change all my fragments and punchy lines to full, perfectly spoken grammar. We. did. not. work. out. LOL 🙂

    Great post!

    1. Post
      Author
      Cynthia Herron

      Jess, I’m winking at you!

      “Voice” is such a gifted mystery, unique to each and every writer. I love your style. The way you blend humor with profound poignancy is such a gift. I couldn’t reproduce it if I tried. That’s what makes you YOU. 😉 And there’s a vast difference between grammatically correct sentences and sapping your “voice” right out of your work.

      So thankful for you; you’ve no idea, gal!

  2. Stephanie Scott

    Hi, I found your blog from the #mywana hash tag on twitter. Critique partners are so essential; I have two groups I attend, but still looking for a regular partner for more in depth, ongoing critique.

    1. Post
      Author
      Cynthia Herron

      Stephanie, critique groups, writing circles, and writing organizations are beneficial in multiple ways. Some folks prefer smaller groups for critiquing; others function well in a bigger framework. I currently have three partners I’m working with, and may soon add a fourth. While I like the intimacy of a smaller group, I don’t think there’s a magic number. It’s whatever we feel comfortable with and however we work best.

      Good for you for furthering your craft and for marching forward!

      Thanks so much for visiting!

  3. Loree Huebner

    Congrats to Tonya!

    I agree that critique partners are so important. Sometimes we’re too close to the story, we can’t see beyond our nose. I always learn so much when I received critiques on my work – good and bad. I also know that only we know the heart of our stories…we take what we need from multiple critiques…and only what we need – the important and necessary stuff. We don’t want to lose our voice in the crowd. I’ve seen this happen.

    1. Post
      Author
      Cynthia Herron

      Loree, I agree. I evaluate everything from my crit partners and carefully weigh each recommendation. There’s a huge difference in cutting backstory and sucking our “voice” dry.

      You made a great point!

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